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UMBRELLA PINES, OLD WOOD FRAME

Référence :


450,00 incl.VATVAT on margin included according to article 297-A of the French General Tax Code

Oil on cardboard by Corinne Tichadou depicting umbrella pines. Weathered wooden frame.

Length : 10.63 in / 27 cm

Height : 10.63 in / 27 cm

Width : 0.98 in / 2.5 cm

Weigth : 4.41 lb / 2 kg

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Artist : Corinne Tichadou

Inspiration: The umbrella pine, with its majestic habit and characteristic silhouette, fascinates us with its natural beauty and symbolism. In Corinne Tichadou’s painting, the umbrella pine is often used to evoke picturesque and sunny Mediterranean landscapes. Artists like Vincent van Gogh and Paul Cézanne painted pine forests, often with umbrella pines, capturing the light and unique atmosphere of these regions.

In addition to their aesthetic appeal, umbrella pines also have symbolic significance. They are often associated with resilience and stability due to their ability to thrive in harsh conditions, such as poor soils and dry climates. In some cultures, the umbrella pine is also a symbol of protection and longevity.

Corinne Tichadou weaves links between the past and the present. She paints the human and questions his relationship to the world: to love, to family, to his courage, to his destiny, to his place in society. Man has always been surrounded by doubts and fears rooted in the world around him. His characters echo memory, fragility, the strangeness of the soul, vulnerability, melancholy, intimacy and silence. It is a world of thought.

Mediums : Oil, pastels and ink

Support: cardboard

Frame: Antique Wood Under Glass

Dimensions: 14 x 14 (27 x 27 framed)

Guarantee of authenticity: Signed and issued with a certificate of authenticity

 

 Corinne Tichadou


France

Corinne Tichadou is a female painter working and living in Beziers, Southern France. Her painting is contemporary, figurative, mythological, biblical, allegorical and contemplative. It weaves links between the past and the present. Through mythology, tales, theatre, opera, biblical stories and her love for Italian Renaissance painting, she seeks timelessness as a philosophy. She paints the human being and questions it about its relationship to the world: to love, to family, to its courage, to its destiny, to its place in society.

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