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MILON OF CROTONE BY PIERRE PUGET, LOUVRE, PARIS, 1988

Référence :


800,00 incl.VATVAT on margin included according to article 297-A of the French General Tax Code

Digital print on premium glossy paper made for the exhibition at the Maison Européenne de Photographie on the occasion of the exhibition Itinerrance by Ferrante Ferranti from June 26 to September 15, 2013.

Length : 16.93 in / 43 cm

Height : 0.79 in / 2 cm

Width : 24.8 in / 63 cm

Weigth : 6.61 lb / 3 kg

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MILON OF CROTONE BY PIERRE PUGET, LOUVRE, PARIS, 1988

Artist : Ferrante Ferranti

Technique : Digital print on premium glossy paper made for the exhibition at the Maison Européenne de Photographie on the occasion of the exhibition Itinerrance from June 26 to September 15, 2013

Supervision: Under glass, black wood frame and ivory mat

Dimensions: 45 x 30 cm (frame 63 x 43 cm)

Number of copies: 6 signed and numbered copies

Year: 1988

Inspiration: In this tight framing, Ferrante Ferranti captures the dramatic intensity of the famous Milo of Crotone. The light cuts through the marble and accentuates the tension of the body, the head thrown back in a silent scream. Through this play of light and shadow, the photograph reveals all the expressive and tragic force of Pierre Puget’s baroque sculpture.

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FRANCE

Born January 13, 1960 in Algeria, of a Sardinian mother and a Sicilian father. He took his first photograph at the age of eighteen, a wave in Belle-Île-en-Mer. Passionate about Fernand Pouillon’s book, Les Pierres Sauvages, he began training as an architect in Toulouse, which he completed at Paris-UP6 in 1985 with a diploma in Theaters and scenography in the Baroque era. Traveling photographer, he has been involved for thirty years with Dominique Fernandez in a joint exploration of the Baroque and the different layers of civilizations, from Syria to Bolivia via Sicily and Saint Petersburg. His photographs dialogue with the texts of the writer, who defines him in the album Itinerrances (Actes Sud, 2013) as “the inventor of a language which links the sun to the ruins, in search of the meaning hidden in the forms” .

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