
Under the acronym CBTH, Charles Brun Theremin develops a unique body of work centered on ceramics, which he considers as a medium for experimentation. At the crossroads of craftsmanship and artistic research, he explores the expressive potential of clay, pushing it towards free, sometimes fragmentary forms.
His pieces are distinguished by a subtle manipulation of textures, firings, and glazes, revealing vibrant surfaces that are sometimes mineral, sometimes organic. Cracks, drips, and alterations become the visible signs of a process in which fire and time play an integral role in shaping the work. Between sculpture and object, his creations evoke archaeological fragments or inner landscapes, situating ceramics within a contemporary, sensitive, and experimental dimension.