MEMORY OF THE FUTURE T4 T5
Référence : 26-1-3-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-2-1-1-1-2-1-1
Wall diptych in carved oak, Indian ink and gold leaf by Hoon Moreau. Hoon Moreau has developed an artistic practice at the crossroads of sculptural design and organic abstraction. Her work questions the intimate relationship between nature and object, exploring notions of balance, fluidity and harmony.
Length : 11.81 in / 30 cm
Height : 23.62 in / 60 cm
Width : 1.97 in / 5 cm
Weigth : 13.23 lb / 6 kg
Artist: Hoon Moreau
Mediums : Solid wood diptych of various species, gold leaf, Indian ink
Support: Solid oak
Dimensions: H. 60 x W. 30 x 5 cm (Each)
Inspiration: Immersed in nature, the artist draws her inspiration from her travels and her daily life. Vast landscapes, clear skies adorned with anamorphic clouds, the ripple of the wind across the fields, the fleeting touches of colorful flowers, the steep lines of a mountain range, the tall silhouette of a tree detached by the setting sun on the horizon. Hoon Moreau absorbs this living nature that she inhabits, that inhabits her, to become its artistic accomplice. As a contemporary sculptor of the twenty-first century, Hoon Moreau is part of the wave of artists whose concerns question behaviors and social relations in a world where the beauty of our planet needs to be appreciated and recognized more than ever. Our connections to nature, to others, to ourselves, and our hopes for the future are subject to the forces of gravity, the dynamics of the universe, and the complex and constant balance found everywhere. As evidenced by the works of Hoon Moreau and put into words by the French astrophysicist. Hubert Reeves, Reeves, “We are stardust,” stardust that has a tangible impact on the Earth.
Guarantee: Signed and issued with a certificate of authenticity
Hoon Moreau
France
Hoon Moreau is a painter, sculptor and designer. Born in Seoul in 1967, graduated in 1991 and 1998, respectively from Fine Arts from the National University of Seoul, she continued her studies in Interior Architecture and Environmental Design from the Camondo School in Paris. This dual skill, associated with his Franco-Korean sensitivity, ensures him numerous collaborations to realize the interior architecture and furniture of museums, palaces, luxury hotels, palaces, in particular within large architectural firms, such as Wilmotte & Partners, for 20 years. Passionate about sculpture since her beginnings, this interior architect and designer, who is directly inspired by the beauty of the elements that touch her, such as the splendors of nature, jewelry or haute couture, launched in 2014 l he daring challenge to redefine our relationship to art by intimately linking sculpture and functionality for artist’s furniture. Inspired by the world around us – stones like humans, landscapes or stories that relate in mirror – Hoon Moreau tries to transcribe them through her visual language in the furniture she creates. Poems, songs of joy, fairy tales or nostalgic reminiscences intermingle in an insane harmony in motion. It offers to the gaze, chests of drawers, tables, lamps or screens, in a set where delicate taut lines are linked, monochrome colored shades, dense presences which take flight. Time and dreams come together here. The secret movement of singular beauty appears and invites itself into our daily lives. His sculpted furniture marries poetic creativity and meticulous realization, shattering the barrier between art and life, beauty and utility. In search of a symbiosis, on the one hand between the quintessence of nature and the crystallization of sublime beauty, on the other hand between artistic creation and functionality, Hoon Moreau offers a new aesthetic adventure that becomes reality.
